Reviewed by Steven Felicelli
According to Ron Rhody’s wife, he is not eligible for authoring a memoir. He hasn’t won an Oscar or an MVP or a Nobel prize. And yet Rhody has a story he wants, needs, to tell. His story. And so that’s how he will tell it to us: as one of Our Own Little Fictions.
Reminiscent of Sarah Polley’s documentary Stories We Tell, Rhody meanders through his memory and down the real roads he’s traveled all over the U.S., from his beloved Frankfort, Kentucky, to California and back (via Florida and Alabama) and then back out to California. Along this circuitous route through his youth, manhood, and ancestry, we encounter all sorts of colorful characters, historical events, family triumphs, and tragedies, which in large part amount to the man whose story we’re being told.
The place closest to Rhody’s heart is clearly Frankfort, Kentucky. It is there his father, a newspaperman, fought for civil rights and to put down roots for his forward-thinking family. Though a wanderlust would uproot the Rhodys and send them all over the U.S., Kentucky kept calling them back to the heart of the heart of their country. In Our Own Little Fictions, Frankfort is origin and refuge, and it serves as the Ithaca of the author’s Odyssey.These chronicles of Rhody contain all the joy and pain of an American life that spans the Cold War to the present.
We meet his parents, grandparents, wife and children, friends and mentors. From animated anecdotes of a hard-nosed football coach doling out life lessons to the memorial for a dear friend and author of “sixteen erudite books,” we witness a life pass in time-lapse frames of laconic, Hemingwayesque prose.
Hemingway and his suicide haunt the narrative beginning to end. On a road trip from California to Kentucky, Rhody and his son make a scheduled detour to Hemingway’s home in Idaho (where he’d put the shotgun in his mouth).
”It seemed wrong that Hemingway had killed himself. Nature should have gotten him. Or chance.”
Later in the narrative and earlier in time, news of Hemingway’s suicide reaches Rhody, and he reflects on the premature tragedy, as well as his own (missed?) calling. These two time periods intermingle, and Rhody leaves Idaho with “an answer to a question I hadn’t known I’d asked.” Authorship was an alternative path he’d bypassed only to embark upon late in life.
Later in the narrative and earlier in time, news of Hemingway’s suicide reaches Rhody, and he reflects on the premature tragedy, as well as his own (missed?) calling. These two time periods intermingle, and Rhody leaves Idaho with “an answer to a question I hadn’t known I’d asked.” Authorship was an alternative path he’d bypassed only to embark upon late in life.
Late in life, indeed. The long road approaches its end and the loss of loved ones is an inevitability. Each story has the same conclusion, alas, and many of the characters we encounter in this Appalachian saga pass on in heartrending deathbed scenes and austere funerals. The depiction of these tragedies is sentimental, even cliched, but anything less/more would not be true to life. It is the commonality of these cliches that arise in endless variations, like updates of Shakespeare.
No, Ron Rhody is no Prince Hamlet, nor was he meant to be, but his story of “becoming,” with its conduplicatio, terse punch-lines, and homespun wisdom, is one that will always be in need of telling and retelling.
The feature photo above from left, Ron Rhody’s sister, Ann, his mother and sister, Mary Lou.
A prominent newspaper columnist kills the man mostly likely to be the next Governor of Kentucky – and gets away with it. Ten years later, the death of his mentor brings him back to the scene of the crime.
Outer Banks Publishing Group author Ron Rhody has completed the last novel in the THEO trilogy, When THEO Came Home, available in November 2013.
This riveting story takes the reader through San Francisco to the canyons of Manhattan to the mountains of southern Appalachia where snake-handling cults still thrive.
The action takes place mostly in Kentucky’s fabled Bluegrass section and in Frankfort, the state’s capitol city, which is in turmoil in the midst of policies put in place by the new governor that are crippling the city.
What happens when Theo comes home is not what anyone expects – most particularly Theo.
Pre-order your copy at a special pre-launch price of $12.99, list $15.99, now through November 1, 2013.
“The characters are richly drawn. The action runs at a riveting pace. What happened When THEO Came Home is a helluva read and a fine, fine story.” – Ian Kellogg
When THEO Came Home is the concluding novel in the THEO Trilogy. The other books in the series are: THEO’s Story and THEO & The Mouthful of Ashes, both available on Amazon in print and ebook format and in fine bookstores everywhere.
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Outer Banks Publishing Group
ISBN-13: 978-0982993101
ISBN-10: 0982993102
BISAC: Fiction / Suspense
It may be Frankfort’s oldest unsolved murder. Few remember it, but author Ron Rhody does.
Rhody, a Frankfort native and 1950 graduate of Frankfort High School, remembers it so vividly that he focuses his latest work of fiction on the story to be released at the Kentucky Book Fair, Saturday, Nov. 12.
Rhody’s latest work is a prequel to “Theo’s Story,” a Frankfort-based novel of political intrigue and murder written in 2009.
“Theo and the Mouthful of Ashes” examines the protagonist’s younger days as a reporter at The State Journal when it was on West Main Street.
The book sets it sights on a murder in Frankfort more than 60 years ago. A woman was discovered at the bottom of a flight of stairs, her head bashed in and her throat stuffed with ashes.
The impetus for the story comes from Rhody’s recollection of Frankfort as a young man. Read the rest of the story here.>
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THEO & The Mouthful of Ashes is available at special pre-launch discount until Nov. 12 at the Outer Banks Publishing Group Bookstore.
Order yours now at this special pre-launch discount price.
Publication Date: January 2012
ISBN: 978-0-9829-9316-3
ISBN EL: 978-1-4524-0970-2
Binding Type: US Trade Paper
Language: English